Philosophy of Progress

Two prevailing philosophies shape how comic artists approach their work:

  1. Do it now, don’t wait.
  2. Never redraw or rewrite your comic.

At first glance, these seem contradictory. The first urges creators to dive in, embrace imperfection, and let experience be the teacher. The second warns against revisiting the past, urging continuous forward motion rather than getting trapped in a loop of endless revision.

Both ideas have merit, but neither is absolute. The true art of storytelling, especially in an ongoing work like DerryBears – Teo’s Journey, lies in finding a balance between the two.

The Case for “Do It Now”

This philosophy is crucial for those still learning the craft. Hesitation is the enemy of growth, and the perfect time to start is always now. The sooner an artist puts their ideas into the world, the sooner they can improve. The key advantage here is momentum—by constantly creating, you break through fear, build confidence, and refine your skills through real-world experience.

Yet, there’s a risk: moving too quickly can mean missing opportunities to refine deeper themes or more complex narratives. If an artist always charges forward without reflection, the work may lack cohesion, depth, or polish.

The Case for “Never Redraw”

This philosophy is more emotional than logical at first glance. It’s rooted in the idea that an artist’s past work, no matter how flawed, represents a snapshot in time—something to be respected and preserved. Growth happens by continuing forward, not redoing the past.

The deeper reason, however, is more practical. If a creator gets stuck in a cycle of reworking the same pages or rewriting the same scenes, they may never actually complete a work. The goal of storytelling is movement, not stagnation. There’s a danger in revisiting old work so often that it becomes an endless loop, erasing what made the original special in pursuit of an unattainable “perfection.”

However, this philosophy has its limits too. A creator should challenge themselves to evolve, but what happens when a story takes a natural turn, or when outside influences (such as reader feedback) suggest new ideas worth exploring? Ignoring the opportunity to refine and deepen a story can be just as detrimental as over-polishing it.

Where DerryBears – Teo’s Journey Stands

At 35 pages in, this is a critical moment for Teo’s Journey. The story is shifting, not because of indecision, but because of growth—both personal and communal. Readers and fans have influenced its direction, and now is a perfect time for a retrospective.

This is where the balance comes in. If I were to completely rewrite Teo’s Journey, I would risk falling into an endless loop, constantly trying to perfect something that was already solid. But a small polish—slight changes to Teo’s look, subtle refinements to the story—allows the comic to evolve while still respecting its original foundation.

This is not a reboot. It is not a rewrite. It is a refinement.

The Fine Line Between Progress and Stagnation

The real takeaway here is that both philosophies serve different stages of a project.

  • “Do it now” is best applied during the early creative process—brainstorming, storyboarding, and laying down the foundation. It’s about overcoming fear and gaining experience.
  • “Never redraw” becomes more relevant once a project is established, preventing stagnation and ensuring momentum. However, it does not mean never refine—rather, it means being selective about what is worth revisiting.

For an artist with a small but growing following, adjustments can be made without disrupting the integrity of the work. The key is knowing when a revision enhances the story and when it is just an excuse to avoid moving forward.

Ultimately, storytelling is about balance—between intuition and discipline, spontaneity and structure, inspiration and execution. Teo’s Journey is a reflection of that balance, evolving without losing sight of where it started.

In the end, progress is not about constantly rewriting the past but about using the past as a foundation to build something greater.

Here’s to you Teo – May your journey be rewarding!

But, then again, what have you gotten your curious self into now?

2 responses to “Philosophy of Progress”

  1. Tom de Steuben Avatar
    Tom de Steuben

    Why have the Derry Bears been tossed into Horror or Macabre? This world needs to somehow steer away from the influence of the evil one! I can understand how some people won’t believe in a Creator or Almighty God but Satan The Devil does exist. “The whole world lies in the power of the wicked one”. 1st John 5:19. Especially since 1914 when Jesus was Crowned the King of God’s Kingdom and he cast Satan and his demonic angels out of Heaven to the vicinity of the Earth. Evil events and Chaos ever since.

    1. Thank you for sharing your thoughtful concerns – I genuinely appreciate your perspective.

      The inclusion of horror elements in the stories involving the Derry Bears isn’t meant to glorify evil but rather to explore complex spiritual and philosophical themes. Even biblical descriptions of angels reveal that divine entities aren’t always comforting or conventionally beautiful.

      All of my stories are intentionally layered with allegorical significance. For instance, “Creator’s Requiem” symbolizes humanity’s rejection of divine guidance, highlighting the tragedy when beings gifted with freedom reject their creator. Similarly, “Glow of the Damned” portrays the spiritual peril inherent in blind ignorance, cautioning against unknowingly following darkness when it poses as the light. Lastly, “Jobu’s Game” echoes Job’s endurance and unwavering grace towards God despite relentless trials, emphasizing that even when evil seems triumphant, spiritual integrity and faith remain paramount.

      Through these narratives, I hope to illuminate the unseen spiritual influences behind psychological horror, aligning them thoughtfully with deeper philosophical and Christian reflections.

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